Sunday, June 26, 2016

Bach, Brandenburg Concerto No. 5, First Movement (c. 1721)

Concertos normally feature a cadenza in which the orchestra quits playing and the soloist demonstrates virtuosity with an extended solo passage. This video of one of Bach’s Brandenburg Concertos features a three minute cadenza by the harpsichordist beginning at 6:38. Although I enjoy the cadenza and find it impressive, I can't erase from my mind what the English conductor Sir Thomas Beecham said about harpsichords: “Sounds like two skeletons copulating on a corrugated tin roof.” (Once you see some things, you can't unsee them.)


Paul Begala, harpsichord / Otto Büchner, violin / Paul Meisen, flute 

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