“I was born very young into a world very old.” – Erik Satie
Erik Satie (1866-1925) lived his looney life with a playful attitude. He was often overcome by unexpected fits of laughter. He wore nothing but gray velvet and carried black velvet umbrellas. During a love affair with a woman named Suzanne, he bought her a necklace made of sausages and said he liked the way she belched. His playfulness was even evident in the titles of his musical compositions:
- “Genuine Limp Preludes (For a Dog)"
- “Sketches and Exasperations of a Big Boob Made of Wood"
- “Waltz of the Mysterious Kiss in the Eye"
- “Three Pieces in the Shape of a Pear”
Satie's music is often described as “wallpaper” music. It's easy to understand the musical elements, and the music is comforting in how it affects its listeners. His Gnossiennne No. 1, for example, provides music that is quite somber and beautiful. (By the way, “Gnossienne” is a word that didn’t exist until Satie created it as a title for this piece.)
And here's a version of Satie’s well-known Gymnopédie No. 1, performed and animated by Stephen Malinowski. Malinowski describes Gymnopédie No. 1 as a "languorous melody moving just once (or less) each beat, accompanied by one bass note and one chord per measure.” If you enjoy watching this version, visit Malinowski's YouTube Channel, where it’s not difficult to become a fan of his animated work.